The other three stories retain the first one's chilliness sustained nicely with help from Lee's translation. Both jarring and atmospheric, this is a cerebrally satisfying collection.
Miracle Boy and Other Stories
It was disappointment. It was hope for a more perfect pleasure. Each time I buried a victim, I repeated to myself: I can do better next time. I kept a journal. An objective report. Maybe I needed something like that at the time.
Sugar and Other Stories
Just like students keep a notebook with all their test mistakes, I also kept meticulous records of every step of my murders and what I felt about them. Coming up with sentences was grueling. So I started reading poetry. The poetry teacher at the community center was a male poet around my age. Anyone who tries it knows that much.
Ngaio Marsh - Wikipedia
Murdering someone is even more troublesome and filthy than you think. Anyway, thanks to the teacher I got interested in poetry. I took the poetry classes for a long stretch. The instructor made me laugh several times, and he even praised my poems twice.
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So I let him live. I recently read his latest poetry collection, which was disappointing.
- Death on the Air and Other Stories Audiobook | Ngaio Marsh | handgalbieringno.gq.
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Should I have put him in his grave back then? To think that he keeps writing poems with such limited talent when even a gifted murderer like me has given up killing. How brazen. I keep stumbling these days.
I fall off my bicycle or trip on a stone. Something definitely happened to your head. They live and die in an atmosphere of bleakness and despair, with violence and brutality as constant companions.
In this, his first novel, individual chapters have the compression of short stories, but he fails to maintain a novel-length narrative flow, and none of his characters sustain interest for the book's plus pages. Still, his language is vivid and assured, his dialogue is skillfully written and convincing, and he creates an atmosphere of unsettling strangeness. Benedict owes more here to action movies than to any literary source: the levels of violence and the plot improbabilities have the same nihilistic drive of a Peckinpah film.
In Benedict's West Virginia, the smell of death pervades the air, and wild dogs and boars rule the uninhabited forest. Government land, long abandoned, now serves the local drug lords, who import South American laborers to harvest their best cash crop: marijuana. Into this corrupt mountain community stumbles Goody, a good but troubled bare-fisted boxer who once killed a man in a dirty match.
What is it about true crime that fascinates you? I see true crime as an escape the way a sci-fi fan might see a Star Trek movie. And I agree with my mother that true crime helps you prepare as a citizen—it really shows what people are capable of. I read constantly on the internet and I happened to run across the London smog.
source link As soon as I saw the pictures I realized this could be a powerful story. The stories benefited from being told next to the other as they strangle the city—the air choking people to death and Christie literally strangling the victims.
Polluted air was trapped over London for five days, creating these fumes. Within the book, I have these characters who were real people—some are still alive, some of them have died. I document a doctor who was in the hospital as smog victims were coming in. This is a braided narrative.
Related Death on the Air: and other stories
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